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    Cheung Tsz Hin's instinctive and sensory-driven approach to colour captures floating light and plundering shadows. He adeptly captures the evanescent beauty of everyday moments that often arise and vanish quickly. The interplay of colours and lines is iconic in Cheung's style, and the portrayal of light and shadow reflects his personal touch. These elements display his unique perceptions and experiences. Cheung's use of colors and his skillful capture of sunlight demonstrates his sensitivity to the ephemeral beauty of nature. Guided by nimble strokes, these elements flow with fluidity, appearing as spirited lines and mellowing colours—like fleeting snapshots of moments from the artist's life.


    The concept of memories goes beyond the traditional understanding, and the depth of it depends on the freshness of each recollection. As seen in Cheung's paintings, the underlying colours sometimes show through from the overlapping strokes, expresses how he notices certain memories can linger in different level of our consciousness over time. The canvases through Cheung's depiction intertwine memories and perceptions, creating a lasting testament to life experiences. These accumulative layers profoundly capture the essence of the artist, attesting to the richness of his enthusiasm.

    roof

    Cheung Tsz Hin

    sleeping

    Cheung Tsz Hin

    among the plants

    Cheung Tsz Hin

    windows

    Cheung Tsz Hin

    watering

    Cheung Tsz Hin

    slice of life

    Cheung Tsz Hin

    house on mountain

    Cheung Tsz Hin

    three branches

    Cheung Tsz Hin

    at home

    Cheung Tsz Hin

    chairs

    Cheung Tsz Hin

    mountain

    Cheung Tsz Hin

    scenery during the trip

    Cheung Tsz Hin

    plants

    Cheung Tsz Hin

    wood

    Cheung Tsz Hin

    abandoned chair

    Cheung Tsz Hin

    lie in bathtub

    Cheung Tsz Hin

    turning to nascent

    Cheung Tsz Hin

    in the gentle wind

    Cheung Tsz Hin

    curiously waiting

    Cheung Tsz Hin

    too heavy to fall

    Cheung Tsz Hin

    see you until next time

    Cheung Tsz Hin

    old place, old friends

    Cheung Tsz Hin

    Velvet island

    Cheung Tsz Hin

    new sun, new sun

    Cheung Tsz Hin

    when the river grows

    Cheung Tsz Hin

    hovering mist

    Cheung Tsz Hin

    day in, day out

    Cheung Tsz Hin

    vortex of lightness

    Cheung Tsz Hin

    the melting silence

    Cheung Tsz Hin

    breathless island

    Cheung Tsz Hin

    home of memory

    Cheung Tsz Hin

    those peaceful days

    Cheung Tsz Hin

    luminous deluge

    Cheung Tsz Hin

    mud and branches

    Cheung Tsz Hin

    unfurled flames

    Cheung Tsz Hin

    edge of consciousness

    Cheung Tsz Hin

    corner of everyday

    Cheung Tsz Hin

    ember of emerald

    Cheung Tsz Hin

    piles of lost dream

    Cheung Tsz Hin

    Cheung Tsz Hin (b. 1987, Hong Kong) obtained his Bachelor of Integrated BBA (minor in Fine Arts) from the Chinese University of Hong Kong in 2010, and a Master of Fine Arts in Taiwan in 2014. Cheung has taken part in an artist in residency programme held by Listhus SES in Iceland in 2018. His works have been featured in solo and group exhibitions in Hong Kong, Taiwan and Iceland, including Confluence of Voice (Hong Kong Visual Arts Centre, 2023), spinelessly planting (Contemporary by Angela Li, Hong Kong, 2022), the garden i still vaguely remember (UNSCHEDULED, Contemporary by Angela Li, Hong Kong, 2021), Ólafsfjörður: Phase 2 (Sansiao Gallery, Hong Kong, 2019), Stundum (Listhus Artspace, Ólafsfjörður, Iceland , 2018), No Neverland (Hong Kong Visual Arts Centre, Hong Kong, 2017), Art as Social Interaction—Hong Kong/ Taiwan Exchange (The Pier-2 Art Center, B7 Warehouse, Taiwan, 2015), shivering glow, i shiver and glow (Contemporary by Angela Li) and moments in layered motion (Contemporary by Angela Li).